A Pocket Full of Rye

Lamb House, Rye, England

June 21, 2003

"Is it hogweed?" an elderly woman asks her friend. 

"I think it's angelica," volunteers a passerby.

Later I hear one of the elderly women tell the only young woman in the garden, "That's angelica with the pom-poms on it, we think."

They settle onto a bench near the wooden arm chair where I sit in the garden at Lamb House. Because I have an assignment to eavesdrop for the fiction workshop I'll be taking with Ann Granger and Angela Arney in a few days, I jot down as much as I can of what I hear. 

The seated women talk of a "loopy" acquaintance who, because she couldn't read, asked a mutual acquaintance read to her a letter from her foster parents. The mutual acquaintance read with great reluctance. The letter detailed how the loopy woman had been locked up under the stairs by her father and beaten by her mother.

"No wonder she's loopy."

The pair leave.

I remain half hidden in the wooden chair. Other garden visitors come and go. A man walks through with a companion. "A series of rooms, isn't it?" he says.

A thirty-ish couple enter the garden and look around. The woman points toward a pom-pom of blossoms and asks, "Is that angelica?"

Climbing roses at Lamb House

What do literary legends Henry James, E.F. Benson, and Rumer Godden have in common?  Each spent time in residence at Lamb House, a brick Georgian located in the town of Rye, in the south of England. 

I first became aware of Lamb House when I read Rumer Godden's memoir A House with Four Walls, in which Godden says "It was at Lamb House that I learned a little about old roses; there was a whole garden of them round a waterlily and goldfish pond where the Garden Room had once stood...." 

Henry James resided at Lamb House from 1897 to 1916. While there he wrote Wings of a Dove, The Golden Bowl, and The Ambassadors. 

E. F. Benson is said to have used Lamb House as the basis for Mallards, a fictional home in his humorous Mapp and Lucia novels. I began reading Benson's books soon after the Mapp and Lucia television series aired on PBS in the early 1990s, a time in my life when I needed a good laugh. 

The garden at Lamb House 

In April of 2003 I came upon a listing for Lamb House in the Gardens to Visit Guide, a free booklet packaged with the BBC Gardeners' World magazine I purchased at Glasgow Airport. According to the Guide, the property "features a charming walled garden that boasts a rich variety of plants, including roses, a gum tree and trumpet creeper." I decided to make a day trip to Rye during a trip to London in June of that same year. 

With the house and garden only open two days a week, and only open in the afternoon, I knew I would have to take care in planning my trip. And I did. In spite of issues with the train and a lack of helpfulness from staff members at Charing Cross Station, I managed to get there.

Arriving in Rye before visiting hours at Lamb House, I lunched at Fletchers House Tea Room where the sedate pace of service slowed further as chef and waitstaff hurried to the door to see and photograph a fellow employee passing by with her uniformed groom on the way from their marriage at the city hall. The bride wore a white sari.

About Lamb House, I wrote:  

It isn't quite as grand as I'd expected. The rooms are smaller. The oak paneling is dry and contracted. I'm sitting in the kitchen garden to the side of the house near where the garden room stood before a bomb blast destroyed it in 1940. Behind the house stands an Indian bean tree.

On my way back to the rail station, I stopped by Cinque Ports Pottery and ordered a ceramic house plaque. I am sorry to report that the pottery closed its doors in 2007. How fortunate I am to have this plaque.

Ceramic wall plaque made by Cinque Ports Pottery

Lamb House is a National Trust property. http://www.nationaltrust.org.uk/lamb-house/ 

Journey to Sissinghurst

Ten years ago, I spent one week in London during the month of June. During that week I made day trips to Kew Gardens, Lamb House in Rye, and Sissinghurst Castle. 

From my journal, dated June 22, 2003:

At Victoria Station. Am steaming inside. Why didn't I just have a lie in and read all day? Instead, once again I've wasted time by going to Charing Cross Station first instead of Victoria. Silly me - didn't realize they were going to cancel today's run that stops at Staplehurst. So here I am at Victoria losing an hour. I'll miss the direct bus to Sissinghurst. 

But this is what adventures are all about. Or perhaps I should say this is what quests are all about - the struggle, the conflict, the repeated failures, and yet determination to succeed when it would be much easier just to give up.

Sissinghurst Castle, site of the magnificent gardens of Vita Sackville-West and Harold Nicolson

My introduction to Sissinghurst Castle came late in 1990 while perusing the November issue of HG, the now-defunct American version of House & Garden magazine. The issue included an article by Nigel Nicolson about the renowned garden created by his parents, the writers Vita Sackville-West and Harold Nicolson. 

The garden has evolved since its origin in the 1930s. In his article "Sissinghurst Grows Up," Nigel Nicolson wrote "The garden changes because we do not slavishly replace a plant that dies with the same plant in the same place." 

On June 22, 2003, I disembarked from the train at Staplehurst Station, located an open taxi stand but decided, after the long ride, to visit the loo before arranging transportation out to Sissinghurst. I retraced my steps to find the nearly hidden sign for the ladies room. Once inside, I saw a urinal and wondered how I managed to end up in the wrong room. It reminded me of a morning a few years earlier when at the Raleigh-Durham airport I came upon a man in the ladies room. A victim of poorly placed signage, the man stood inside a toilet stall, door open, with his back to the restroom entrance. His eyes widened when, turning as he zipped up, he saw me enter the room. I imagine that in that instant he comprehended why this airport restroom had no urinals. 

At Staplehurst Station I almost backed out of what must have been the men's room, but having the chamber to myself, I instead opened a stall wherein I found a half-eaten chili dog perched on the toilet tank. I averted my eyes and held my breath, reminding myself how far I'd come to get there.

A moment later, back outside, I discovered that the taxi stand had closed during my brief absence. After noting the phone numbers posted on the door, I walked to a pay phone at a nearby car park, dropped in the appropriate coins and dialed. The dispatcher who answered the call assured me a car would pick me up in approximately fifteen minutes. 

While waiting inside the station, I noticed two men peering into the glass windows of the taxi stand. One pointed to the phone numbers and pulled out his mobile. A moment later the station door opened and, walking in, he asked if I had ordered the taxi and would I consider sharing the car to Sissinghurst. I told him I'd be happy to have company. 

As we waited together I learned that the two men also had expected to take the train out of Charing Cross, the usual point of origination, and like me had to travel to Victoria, thereby missing the 10:32 train as well as the direct bus from Staplehurst Station to the gardens. 

Both of the men spoke with British accents but one told me he lived and practiced law in San Francisco. Earlier I had heard them asking each other getting-acquainted questions. During our ride to Sissinghurst Castle, the "American" one gallantly attempted to include me in conversations, but captivated with the countryside passing outside the taxi window I left them to their courtship. When we arrived at our destination, the San Francisco resident generously insisted on paying the full fare rather than splitting it as our driver had suggested and as I had expected we would do.    

Once inside the grounds of Sissinghurst, my only complaint was that I had to share the magnificent garden rooms with so many other people - this in spite of the fact that, because of rain, the gardens had fewer visitors than usual. 

The property's current owner, the National Trust, provided a map that guided me to the rose garden, the herb garden, the nuttery, the cottage garden, and the famous White Garden. That afternoon I saw masses of calla lilies, acanthus, yellow columbine. Brick walls served as the backdrop for roses and other ornamentals. The garden rooms were, if anything, even more lush than portrayed in the HG photographs or the written accounts I had read prior to my trip. I found the White Garden breathtaking - something like a giant bridal bouquet with a soft lacy effect. 

Harold Nicolson, as garden designer, put the technique of framing to good use. Ten years on from my trip I still remember admiring the vistas I came upon as I strolled through the garden rooms. Canopies of trees framed three sides of a statue; a stand of ferns provided the bottom of the frame. Was this something Harold Nicolson planned? Or the later work of National Trust horticultural employees? 

Always while visiting the great gardens there is much to see, yet not enough time. I take photographs, not only to remember, but so that I can discover later what I overlooked on site. On this day I had only a film camera and evidently a single roll of print film. As a result, I have far fewer pictures of Sissinghurst than I would have if I had then owned a digital camera.

In Sissinghurst's gift shop I bought a tan National Trust backpack, Vita Sackville-West's novel All Passion Spent, a collection of her newspaper columns entitled In Your Garden Again, and a children's book The Great White Owl of Sissinghurst written by the late Dawn Langley Simmons, an interesting and controversial former resident of Charleston. 

Later while awaiting the train that would take me back to London,  paging through In Your Garden Again, I located Sackville-West's June 22, 1952 newspaper column, published in The Observer exactly fifty-one years prior to the day of my excursion. Sackville-West wrote about herbaceous peonies, sharing the secrets to growing them successfully. In closing she noted that the peonies will "...probably outlive the person who planted them, so that his or her grandchild will be picking finer flowers fifty years hence." 

Did I see peonies in the garden? Sitting there at Staplehurst Station, I wished I had noticed. 

For information about Sissinghurst, visit the website of the Britain's National Trust: http://www.nationaltrust.org.uk/sissinghurst-castle/.

For some ideas of what to plant in your own version of a white garden, take a look at Dreams of White Gardens. 

A Wild and Peaceful Garden

Charleston's historic Unitarian Church

Almost exactly twenty-six years ago I moved to the Lowcountry and embarked on a career in accounting. The first firm I worked for had its offices on King Street in Charleston. An adjacent path ran from King to the cemetery of the Unitarian Church located on Archdale Street. When things got stressful, as they do in the deadline-driven world of accounting, I sometimes headed outside to walk. That's how I first discovered this distinctive churchyard garden. 

Blue plumbago and pink roses

What I love about the Garden of Remembrance is its riotous vegetation. How can I feel guilty about the untidiness of my own garden when here I see the dazzling communion of weeds and cultivated plants?

Lilies mingle with weeds

In 1989 Hurricane Hugo overwhelmed Charleston. Its winds removed the roof from one of the two buildings that housed the accounting firm. The roofer got to work quickly, but not until after photographs were taken to document the extent of damage. I remember seeing the pictures during those first terrible days when the whole world seemed to have turned upside down, a time when armed members of the National Guard roamed the streets and a nearby restaurant cooked chicken outside on a grill because electricity hadn't yet been restored. How ludicrous it all seemed. Those photographs captured an unusual view: in the foreground, file cabinets stood in the roofless attic; in the background, blue sky and the tower of the Unitarian Church dominated.

Garden of Remembrance

Most often when I think of this church, I think of its cemetery garden. I think of the gift of serenity -- of being allowed a chance to calm down before returning to a less-than-peaceful world. 

Canna lily

For more information about the Garden of Remembrance, visit the  Unitarian Church of Charleston's website:

http://www.charlestonuu.org/GetInvolved/Activities/EdenKeepersChurchyard/tabid/132/Default.aspx

National Public Gardens Day at Magnolia Plantation

Magnolia blossom at Magnolia Plantation

Last Friday, May the 10th, Magnolia Plantation participated in National Public Gardens Day, offering free admission to visitors who printed out a coupon available on-line. I've never seen such a throng of people in Magnolia's gardens, but then I've never before visited during a major event. In times past when I've been there, it's been during the colder months when more camellias are in bloom.

Magnolia Plantation, located on the Ashley River in Charleston, South Carolina, is one of America's oldest gardens. It's reported to be the first home to azaleas in this country. The plantation was established in 1679. During the first half of the nineteenth century, John Grimké Drayton inherited the property and expanded its gardens, enhancing the native landscape.

The deep red flower of a Lord Ferndale ancient camellia japonica

Magnolia Plantation and Gardens includes a small formal garden, a biblical garden, a camellia garden, an oak avenue, a wildlife observation tower, a horticultural maze, and a petting zoo. By paying additional fees, visitors can tour the house, take a boat ride, and visit the Audubon Swamp Garden.

The Red Bridge

What I like best about Magnolia Plantation is the scenic beauty of bridges over small lakes inhabited by native alligators. I enjoy hearing peacocks call and I love seeing the colors, forms, and textures of camellias and azaleas and a variety of other flowering plants.

Irises and Spanish moss

Foxgloves

Azalea blossoms reach toward the sky

Not long after my arrival at Magnolia Plantation on Friday, I located a secluded gazebo in the Romantic Garden. Seated on a bench inside it, sheltered from the hot sun, I gazed out at patches of shasta daisies, their white faces stretching skyward. A few azaleas continued to bloom and one, within reach, had huge blossoms, colored a deep pink. A Japanese maple stood next to the gazebo and a magnolia behind it. Along the path in front of the structure, Spanish moss dangled from branches. Nearby, a pair of cardinals tweeted from a dogwood tree. 

One of several bridges

After enjoying the view from the gazebo, I strolled through the gardens and wandered down the path between the historic rice fields and the Ashley River, remembering the time, well over twenty years ago, when I pushed my niece's stroller down these same paths. 

Was that before or after Hurricane Hugo devastated the area? Probably before. But I recall returning after and how thinned out this and other area gardens appeared during the months and first years that followed the storm. 

Now the growth is lush again. I'm thankful for that and for the offer of free admission that provided the incentive to travel once again to a place I visit far too seldom.

A trio of calla lilies

Visitors stroll through the gardens

Gazebo in the Romantic Garden

For more information about the gardens at Magnolia Plantation, visit:

http://www.magnoliaplantation.com/

Dreams of White Gardens

Alyssum "Carpet of Snow"

When I bought my midcentury house near the coast, I had dreams of creating a white garden. I hadn't yet been to Sissinghurst Castle, but I'd read about its garden rooms and craved one of my own. Almost immediately, I bought two white crape myrtle trees, two nandina plants, and a white geranium.

A few months later the camellias that came with the house burst into colorful bloom. Unwilling to uproot them, I relinquished the idea of having my own white garden. 

Mock orange

But I didn't give up planting annuals, perennials, shrubs, and trees with white blossoms. You see, white helps flowers with clashing colors play well together. Recently my golden native azalea and a nearby peach tree bloomed at the same time. Their blossoms competed for attention until I planted an Easter lily in their midst.

Easter Lilly

These blossoms on a Red Tip Photinia are perhaps more champagne than white.

Dogwood

Temple Bells (Pieris japonica)

Two years ago after returning from a trip to Japan, where I saw numerous Pieris shrubs growing near temples in Miyajima and Kyoto, I purchased a small one at the Charleston Horticultural Society annual plant sale. My Pieris is still small. I love the way the tiny bell-shaped flowers dance in the breeze.

Dewberry

Other white flowers appear in the herb garden, on brambles, and on productive fruit trees.

Citrumelo blossoms

Cilantro (aka Coriander)

Plum blossom

My young Chinese fringetree (Chionanthus retusus)

Nearly eighteen months ago I made a day trip to an out-of-town nursery that imports and cultivates numerous Asian plants. My intention was to purchase a weeping cherry tree. Due to an apparent misunderstanding, a nursery employee sold me a Chinese fringetree rather than the weeping cherry I had requested. Having bought several other plants as well, I was halfway home before I realized a mistake had been made.

Phlox

 Blossoms on a fringetree at Brookgreen Gardens

Last week I went to Brookgreen Gardens to hear my poet friends Susan Laughter Meyers and Libby Bernadin read. While there, I saw gorgeous fringetrees covered in blooms. I expect these were the native Chionanthus virginicus.

Cyclamen

Fragrant Meyer lemon blossoms

Lady Banks rose

Snapdragons

Dutch Iris

Azalea "Mrs. G.G. Gerbing"

Backlit white daffodils

With the exception of my photograph of the fringetree at Brookgreen, all the pictures in this blog post are ones I took of blooms in my yard this month. My favorite white flower, the moonflower, is absent. I don't expect to see it again until July.